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Wednesday, March 27, 2013

M83 - Oblivion (featuring Susanne Sundfor)


M83 and Susanne Sundfor both make music with a sense of grandeur
and lush epicness. Susanne Sundfor is more orchestral whereas M83
is more of an 80s synth tweaker.

For the soundtrack to the upcoming
Tom Cruise sci-fi 'Oblivion,' they join forces for a soaring anthem
that is every bit as great as the sum of its parts.

For once the math worked out....


Tuesday, March 19, 2013

Emika - Wicked Game


First thing that we need to acknowledge here is that if this is not one of the
most covered songs then this is one of the most covered songs.

Czech electronic bad mama Emika has an interesting history. Grew up
in England. Classically trained pianist and composer. Interned at Ninja Tune.
Sound designer at Native Instruments. Released her critically acclaimed
self-titled debut on Ninja Tune. Listening to it leaves no doubt in your mind
as to what good it did her working as a sound designer for fucking
Native Instruments. Neither does this track off her upcoming sophomore
album 'Dva' out June 10, 2013 via Ninja Tune.

How she makes this her own is through the mixing and manipulation of her
own voice which is as breathless, whispery and frigidly sensual as they come.


Thursday, March 14, 2013

2 Mello - Chrono Jigga (Jay-Z/Chrono Trigger mash-up [FREE ALBUM DOWNLOAD])


Jay-Z mash-ups seem to be unavoidable. Is the sun going to rise tomorrow?
Will there be another Jay-Z mash-up or remix album? Go figure...

Anyway Kentucky based produced 2 Mello sampled the lush orchestral
soundtrack of the Chrono Trigger games and mashed his beats up
with Jay-Z acapellas.

Definitely a unique addition to the swelling-to-bursting-point catalog
of Jigga remixes, mash-ups etc.



Shak. - Lately


Continuing the streak of mysterious producers, here is Shak. All that is 
known is that he is18 years old and from Netherlands.

This cut here oozes ambience. The mix is quiet, percussion clinks
and clanks, bass swells gently and guitar melodies speak from miles away.

For his second song, this young man shows a lot of promise.


Monday, March 11, 2013

Sister Crayon - Floating Heads


On their debut 'Bellow,' Sister Crayon spun trip-hop with a combination
of samples and live instrumentation
It seems like they have ditched the MPC for just primarily live 
instrumentation. From the sound of this song, it was a great 
decision.

Off their upcoming EP Cynic via Fake Four Inc., this joint finds lead singer
Terra Lopez in excellent form (as usual) - smooth, spectral and haunted.
The band lays down a bed of distorted keys, pulsating bass, reverbed
picked guitar and driving drums to complete the magic.

It's create watching these guys evolve.


Monday, March 4, 2013

XXXIΛIXXX - 소원을 말해봐


XXXIΛIXXX are from China. That's the most I can tell you since
I do not speak any Chinese language and everything about them is 
in that. But good music crosses even those barriers.

Over a dark anthemic trap beat, these two songbirds say.....something
in a very catchy melody, reminiscent of pre-Nick-Cannon Mariah.

It sounds so good who cares what any of it means?

Wait is there an app that can translate this?


Manu Shrine - Wave Form


Manu Shrine, from Russia, joins the growing ranks of mysterious
musicians, pumping out dopeness from beyond our fingertips,
somewhere between the shadows.

His sound is definitely, post-dubstep by way of chillout -
 a softly pulsing bassline, echoing pianos and the skittering
percussion oft associated with post-dubstep. What enhances
the intimacy he creates here is how he has the male and female 
vocal samples play off each other as if they are trapped in a
duet within a ghostly realm.

It's melancholia made beautiful, longing made bearable.





Usher - Climax (Lindsay Lowend Remix)


Usher and Diplo had a scorcher on their hands about a year ago with
their collaboration on 'Climax.' Undoubtedly, between then and now,
several hands have touched it with intent to remix but few this funky.

Lindsay Lowend spins it around with chunky bass, a steady ambient pad
then goes into a bridge with swirling synths and electronic horns. It ends
on a more sedate... climax with Usher's vocals layered
upon each other.

Effective nonetheless.